REVIEW: Robey Theatre Company, Scarecrow Press illuminate theatre history

Paul Robeson is well remembered today for his performance as the self-appointed monarch of a Caribbean island in Eugene O’Neill’s “The Emperor Jones.” What’s been largely forgotten is that it was the first important dramatic role for a black actor on Broadway—and that the actor who created the part was not Robeson but a man named Charles Gilpin. “The Emperor’s Last Performance” by Melvin Ishmael Johnson, now in a limited world premiere... Read More